Sakura and love birds J232 is a large Japanese silver triptych by Ksavera

Sakura and love birds J232 is a large-scale Japanese-inspired silver triptych.

Original Acrylic Painting on stretched canvas by artist Ksavera.

Artwork Details

• Medium: Acrylic on stretched European canvas

Format:

• Triptych (set of 3 canvases) — total size 100 × 150 cm
• Quadriptych (set of 4 canvases) — total size 100 × 200 cm
• Panel size: each canvas 50 × 100 cm

• Finish: Glossy varnish

• Edges painted — no frame required

Production

This artwork is made to order.
A similar version will be painted within 2 weeks after purchase.
Photos of the finished artwork will be provided for approval before shipping.

About the Artist

Ksavera is an independent contemporary artist based in Germany.
Her artworks are held in private, corporate, and museum collections worldwide.

Shipping & Authenticity

• Ready to hang (hook system included)

• Signed on the front and back

• Certificate of authenticity included

• Shipping with tracking (DHL)

Estimated delivery times:

• Germany: 2 days

• EU: 1–2 weeks

• USA, Canada, Australia: 2–5 weeks

The imagery of blossoming plum trees echoes the artwork’s focus on delicate beauty and transience — a core principle of Japanese visual culture.

The composition is built around turquoise tones enriched with subtle gold accents, creating a quiet dialogue between movement and stillness.

Inspired by traditional Japanese aesthetics and seasonal symbolism, the artwork reflects themes of connection, intimacy, and the fleeting nature of beauty. The layered surface and glossy finish allow the painting to change subtly with light, revealing new details from different angles.

Designed as a statement piece, this triptych becomes a focal point on large walls and contemporary interiors.

Haiku -

さかりなる
うめにすでひく
かぜもがな

sakari naru / ume ni sude hiku / kaze mogana

The plum blossomed.
Wind, do not pluck with your hand
delicate petals.

芭蕉松尾, Matsuo Bashō (1644—1694)

Seasonal Imagery in Japanese Art
Momoyama Period (1573–1615)
The art of this period was characterized by a robust, opulent, and dynamic style, with gold lavishly applied to architecture, furnishings, paintings, and garments.

Curatorial Note / Museum Essay (for collectors and interior designers) — J232

The triptych J232 presents itself as a serene synthesis of Eastern aesthetics and contemporary abstraction. Across three joined panels, a delicate cherry branch unfurls against a luminous silver field, punctuated by blossoms and a pair of birds perched in quiet communion. The composition is at once minimal and richly allusive — echoing the tradition of Japanese ukiyo-e screens while engaging modern sensibilities of color and balance. The flattened plane of turquoise is not merely backdrop but atmosphere, inviting contemplation and presence. Soft calligraphic marks on the left panel act as a visual counterpoint, tracing gesture and inviting the viewer into the narrative of stillness and poetic resonance. The gold orb centered beneath the birds anchors the composition with a subtle warmth, balancing cool tones and adding a lyrical cadence.

Unlike purely decorative imagery, this work holds a tension between simplicity and lyrical detail: blossoms and branches drift through negative space, yet remain vivid in their painterly execution. The birds — rendered with precise awareness — become symbolic witnesses, suggesting harmony, relationship, and quiet reflection.

J238 demonstrates how an abstracted natural motif can mediate between tradition and contemporary visual language. Its restrained palette and measured asymmetry embody principles found in both Japanese art and modern abstract painting, forging a bridge across centuries and cultures.

Placed within a thoughtfully designed space, J232 functions as both a visual anchor and a calming presence. Its dominant silver field harmonizes with neutral interiors — warm greige, sandy beige, or muted wood tones — while providing a refreshing color accent. The triptych’s horizontal format makes it ideal above a low console, sofa, or in a dining area where it can draw the eye without overwhelming. Its poetic imagery and delicate botanical allusions offer a narrative focus that balances more tactile or textured elements like natural linens, oak furniture, or woven textiles. The work’s serene yet expressive mood invites contemplation and can elevate a minimalist interior into a gallery-quality environment, where art and living space enter a sustained conversation.